FOH, IEM, and broadcast — one operator, one system.

Three positions, one intentional mix.

Most operators do one of these well. Running all three together — and letting each inform the others — is where the final sound gets serious.

• Front-of-House (FOH)The room mix. Tuned to the speakers and the seats, not just the channel meter.
• In-Ear Monitors (IEM)Stereo and personal mixes. Clear individual mixes so the band plays instead of fights the monitors.
• Broadcast FeedIndependent mix optimized for the stream, not a stereo bus split from FOH. The stream sounds like a production, not a room recording.
• Systems / PatchInput lists, patch sheets, redundancy planning, and line-check procedures set up in advance.
• Virtual Sound CheckMulti-track record from rehearsal so the sound check can happen without the band in the room.
• Snapshot ProgrammingPer-song or per-element scenes built during rehearsal and driven on cue during service.

Comfortable on the desks you already own.

I've spent thousands of hours on these surfaces. If your venue is on something else, ask — the fundamentals transfer quickly.

• DiGiCo SD RangeSD12, SD10, SD9, SD5. Show file construction, snapshot programming, MADI split routing.
• Avid VENUE · S6L / S3LPro Tools integration, multi-track virtual sound check, bus routing for broadcast splits.
• Midas PRO / HD96POPulation routing, VCA groups, scene recall on legacy and current PRO surfaces.
• Yamaha CL / QL / RivageDante routing, dual-console setups, scene recall and patching workflows.
• Waves SoundGridPlugin hosting on any compatible console for FOH processing parity with studio.
• Allen & Heath dLive / SQFor smaller venues running the A&H ecosystem; familiar with scene and routing workflows.

One service or every Sunday.

Flexible scope. Quote-based depending on event type, venue, number of positions, and prep time required. Contact me with date and details for a specific number.