Phrase-level editing, noise-floor control, RMS targeting, and peak limiting to meet ACX, Findaway, and Audible standards. Narrators send raw room tracks; I hand back master chapters ready to upload without a resubmission.
Every chapter passes the same checklist before delivery. If it doesn't meet ACX spec on my meter, it doesn't leave the studio.
ACX is the strictest and most common. Findaway, Audible Originals, and library platforms all have their own variations — I deliver against whichever set matches your distribution plan.
Best practice is to send a test chapter first so we can confirm the noise floor and baseline character of your recording space before committing to the full book.
Send one chapter raw. I analyze noise floor, room character, and recommend mic/booth adjustments if needed.
Retakes integrated, line-level edits, breath decisions. Chapter-by-chapter delivery.
Noise floor, de-click, de-ess, compression, consistency across chapters.
RMS targeting, peak limit, silence pad for ACX head/tail compliance.
Validate on ACX QC tools. Deliver MP3 per chapter + full WAV archive.
Placeholder testimonial — an audiobook author or publisher describing the consistency and ACX pass-rate.
Send a sample chapter — I'll tell you where you stand against ACX, what the noise floor looks like, and what the finished master will sound like.