Dialogue edit, sound design, music, and full mix for broadcast, streaming, and documentary projects. Every deliverable passes QC against the exact loudness target and peak ceiling your platform requires — no surprises on upload.
Broadcast post isn't one job — it's six, stitched together. I handle each stage personally, which means fewer handoffs, tighter consistency, and a master that sounds like it was produced by the same ear that cut the dialogue.
A clear path from the moment your edit locks to the moment your master uploads. Each stage has a defined deliverable so you always know where the project sits.
Locked picture, OMF/AAF or Pro Tools session, reference mix if available. Kickoff call to align on tone, target platform, and deadline.
Clean every line. Fix room tone, remove clicks and plosives, gain-stage for consistency, flag anything that needs ADR.
Build ambience, place effects, edit music cues to picture. First design review with picture department.
Final balance, bus dynamics, limiting to target. One round of revisions included; additional rounds by the hour.
Integrated LUFS, true-peak, and LRA verified on metering. Master + stems shipped with delivery log.
Integrated LUFS, true-peak ceiling, and LRA targets change depending on where your content lives. Here's what I deliver to — send me your platform and I'll match it.
Placeholder testimonial — a broadcast client describing how a project came in on-spec and on-time, and the handoff was painless.
Send me your locked picture and target platform. I'll reply within one business day with a scoped quote and a timeline.